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UID:135958-1777629600-1777654800@www.discovernorthampton.co.uk
SUMMARY:Rose Finn Kelcey: House Rules
DESCRIPTION:Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey\, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. \nFeaturing photographic\, installation and video works loaned from national collections and archives\, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture\, language\, ritual and atmosphere. \nExhibited publicly for the first time since its original installation\, Bar Doors (1991) captures architectural thresholds\, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. \nThe exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life\, featuring works such as It Pays to Pray (1990)\, God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented\, including documentation of Power for the People (1972)\, in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. \nThroughout the exhibition\, architecture\, movement and attention shape how the works are encountered. Finn-Kelcey’s work offers a lens through which to experience 24 Guildhall Road as an active structure—shaped by play\, language and collective imagination. \n\n\n\n\nImage Credit: Rose Finn-Kelcey Bar Doors (Photograph of installation) 1991 \nWood\, Houston International Festival\, Buffalo Bayou Park\, Houston\, Texas. USA \n©The Estate of Rose Finn-Kelcey. Courtesy the Estate and Kate MacGarry
URL:https://www.discovernorthampton.co.uk/event/rose-finn-kelcey-house-rules/2026-05-01/
LOCATION:NN Contemporary\, Vulcan Works\, northampton\, Northamptonshire\, NN1 1EW\, United Kingdom
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://www.discovernorthampton.co.uk/wp-content/uploads/2026/04/NN-Contemporary.png
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DTSTART;TZID=Europe/London:20260502T100000
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DTSTAMP:20260408T230917
CREATED:20260408T111952Z
LAST-MODIFIED:20260408T111952Z
UID:135961-1777716000-1777741200@www.discovernorthampton.co.uk
SUMMARY:Rose Finn Kelcey: House Rules
DESCRIPTION:Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey\, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. \nFeaturing photographic\, installation and video works loaned from national collections and archives\, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture\, language\, ritual and atmosphere. \nExhibited publicly for the first time since its original installation\, Bar Doors (1991) captures architectural thresholds\, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. \nThe exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life\, featuring works such as It Pays to Pray (1990)\, God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented\, including documentation of Power for the People (1972)\, in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. \nThroughout the exhibition\, architecture\, movement and attention shape how the works are encountered. Finn-Kelcey’s work offers a lens through which to experience 24 Guildhall Road as an active structure—shaped by play\, language and collective imagination. \n\n\n\n\nImage Credit: Rose Finn-Kelcey Bar Doors (Photograph of installation) 1991 \nWood\, Houston International Festival\, Buffalo Bayou Park\, Houston\, Texas. USA \n©The Estate of Rose Finn-Kelcey. Courtesy the Estate and Kate MacGarry
URL:https://www.discovernorthampton.co.uk/event/rose-finn-kelcey-house-rules/2026-05-02/
LOCATION:NN Contemporary\, Vulcan Works\, northampton\, Northamptonshire\, NN1 1EW\, United Kingdom
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://www.discovernorthampton.co.uk/wp-content/uploads/2026/04/NN-Contemporary.png
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DTSTART;TZID=Europe/London:20260505T100000
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CREATED:20260408T111952Z
LAST-MODIFIED:20260408T111952Z
UID:135962-1777975200-1778000400@www.discovernorthampton.co.uk
SUMMARY:Rose Finn Kelcey: House Rules
DESCRIPTION:Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey\, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. \nFeaturing photographic\, installation and video works loaned from national collections and archives\, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture\, language\, ritual and atmosphere. \nExhibited publicly for the first time since its original installation\, Bar Doors (1991) captures architectural thresholds\, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. \nThe exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life\, featuring works such as It Pays to Pray (1990)\, God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented\, including documentation of Power for the People (1972)\, in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. \nThroughout the exhibition\, architecture\, movement and attention shape how the works are encountered. Finn-Kelcey’s work offers a lens through which to experience 24 Guildhall Road as an active structure—shaped by play\, language and collective imagination. \n\n\n\n\nImage Credit: Rose Finn-Kelcey Bar Doors (Photograph of installation) 1991 \nWood\, Houston International Festival\, Buffalo Bayou Park\, Houston\, Texas. USA \n©The Estate of Rose Finn-Kelcey. Courtesy the Estate and Kate MacGarry
URL:https://www.discovernorthampton.co.uk/event/rose-finn-kelcey-house-rules/2026-05-05/
LOCATION:NN Contemporary\, Vulcan Works\, northampton\, Northamptonshire\, NN1 1EW\, United Kingdom
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://www.discovernorthampton.co.uk/wp-content/uploads/2026/04/NN-Contemporary.png
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DTSTART;TZID=Europe/London:20260506T100000
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CREATED:20260408T111952Z
LAST-MODIFIED:20260408T111952Z
UID:135963-1778061600-1778086800@www.discovernorthampton.co.uk
SUMMARY:Rose Finn Kelcey: House Rules
DESCRIPTION:Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey\, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. \nFeaturing photographic\, installation and video works loaned from national collections and archives\, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture\, language\, ritual and atmosphere. \nExhibited publicly for the first time since its original installation\, Bar Doors (1991) captures architectural thresholds\, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. \nThe exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life\, featuring works such as It Pays to Pray (1990)\, God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented\, including documentation of Power for the People (1972)\, in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. \nThroughout the exhibition\, architecture\, movement and attention shape how the works are encountered. Finn-Kelcey’s work offers a lens through which to experience 24 Guildhall Road as an active structure—shaped by play\, language and collective imagination. \n\n\n\n\nImage Credit: Rose Finn-Kelcey Bar Doors (Photograph of installation) 1991 \nWood\, Houston International Festival\, Buffalo Bayou Park\, Houston\, Texas. USA \n©The Estate of Rose Finn-Kelcey. Courtesy the Estate and Kate MacGarry
URL:https://www.discovernorthampton.co.uk/event/rose-finn-kelcey-house-rules/2026-05-06/
LOCATION:NN Contemporary\, Vulcan Works\, northampton\, Northamptonshire\, NN1 1EW\, United Kingdom
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://www.discovernorthampton.co.uk/wp-content/uploads/2026/04/NN-Contemporary.png
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CREATED:20260408T111952Z
LAST-MODIFIED:20260408T111952Z
UID:135964-1778148000-1778173200@www.discovernorthampton.co.uk
SUMMARY:Rose Finn Kelcey: House Rules
DESCRIPTION:Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey\, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. \nFeaturing photographic\, installation and video works loaned from national collections and archives\, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture\, language\, ritual and atmosphere. \nExhibited publicly for the first time since its original installation\, Bar Doors (1991) captures architectural thresholds\, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. \nThe exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life\, featuring works such as It Pays to Pray (1990)\, God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented\, including documentation of Power for the People (1972)\, in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. \nThroughout the exhibition\, architecture\, movement and attention shape how the works are encountered. Finn-Kelcey’s work offers a lens through which to experience 24 Guildhall Road as an active structure—shaped by play\, language and collective imagination. \n\n\n\n\nImage Credit: Rose Finn-Kelcey Bar Doors (Photograph of installation) 1991 \nWood\, Houston International Festival\, Buffalo Bayou Park\, Houston\, Texas. USA \n©The Estate of Rose Finn-Kelcey. Courtesy the Estate and Kate MacGarry
URL:https://www.discovernorthampton.co.uk/event/rose-finn-kelcey-house-rules/2026-05-07/
LOCATION:NN Contemporary\, Vulcan Works\, northampton\, Northamptonshire\, NN1 1EW\, United Kingdom
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://www.discovernorthampton.co.uk/wp-content/uploads/2026/04/NN-Contemporary.png
END:VEVENT
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DTSTART;TZID=Europe/London:20260508T100000
DTEND;TZID=Europe/London:20260508T170000
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CREATED:20260408T111952Z
LAST-MODIFIED:20260408T111952Z
UID:135965-1778234400-1778259600@www.discovernorthampton.co.uk
SUMMARY:Rose Finn Kelcey: House Rules
DESCRIPTION:Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey\, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. \nFeaturing photographic\, installation and video works loaned from national collections and archives\, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture\, language\, ritual and atmosphere. \nExhibited publicly for the first time since its original installation\, Bar Doors (1991) captures architectural thresholds\, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. \nThe exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life\, featuring works such as It Pays to Pray (1990)\, God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented\, including documentation of Power for the People (1972)\, in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. \nThroughout the exhibition\, architecture\, movement and attention shape how the works are encountered. Finn-Kelcey’s work offers a lens through which to experience 24 Guildhall Road as an active structure—shaped by play\, language and collective imagination. \n\n\n\n\nImage Credit: Rose Finn-Kelcey Bar Doors (Photograph of installation) 1991 \nWood\, Houston International Festival\, Buffalo Bayou Park\, Houston\, Texas. USA \n©The Estate of Rose Finn-Kelcey. Courtesy the Estate and Kate MacGarry
URL:https://www.discovernorthampton.co.uk/event/rose-finn-kelcey-house-rules/2026-05-08/
LOCATION:NN Contemporary\, Vulcan Works\, northampton\, Northamptonshire\, NN1 1EW\, United Kingdom
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://www.discovernorthampton.co.uk/wp-content/uploads/2026/04/NN-Contemporary.png
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DTSTART;TZID=Europe/London:20260509T100000
DTEND;TZID=Europe/London:20260509T170000
DTSTAMP:20260408T230917
CREATED:20260408T111952Z
LAST-MODIFIED:20260408T111952Z
UID:135966-1778320800-1778346000@www.discovernorthampton.co.uk
SUMMARY:Rose Finn Kelcey: House Rules
DESCRIPTION:Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey\, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. \nFeaturing photographic\, installation and video works loaned from national collections and archives\, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture\, language\, ritual and atmosphere. \nExhibited publicly for the first time since its original installation\, Bar Doors (1991) captures architectural thresholds\, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. \nThe exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life\, featuring works such as It Pays to Pray (1990)\, God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented\, including documentation of Power for the People (1972)\, in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. \nThroughout the exhibition\, architecture\, movement and attention shape how the works are encountered. Finn-Kelcey’s work offers a lens through which to experience 24 Guildhall Road as an active structure—shaped by play\, language and collective imagination. \n\n\n\n\nImage Credit: Rose Finn-Kelcey Bar Doors (Photograph of installation) 1991 \nWood\, Houston International Festival\, Buffalo Bayou Park\, Houston\, Texas. USA \n©The Estate of Rose Finn-Kelcey. Courtesy the Estate and Kate MacGarry
URL:https://www.discovernorthampton.co.uk/event/rose-finn-kelcey-house-rules/2026-05-09/
LOCATION:NN Contemporary\, Vulcan Works\, northampton\, Northamptonshire\, NN1 1EW\, United Kingdom
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://www.discovernorthampton.co.uk/wp-content/uploads/2026/04/NN-Contemporary.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260512T100000
DTEND;TZID=Europe/London:20260512T170000
DTSTAMP:20260408T230917
CREATED:20260408T111952Z
LAST-MODIFIED:20260408T111952Z
UID:135967-1778580000-1778605200@www.discovernorthampton.co.uk
SUMMARY:Rose Finn Kelcey: House Rules
DESCRIPTION:Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey\, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. \nFeaturing photographic\, installation and video works loaned from national collections and archives\, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture\, language\, ritual and atmosphere. \nExhibited publicly for the first time since its original installation\, Bar Doors (1991) captures architectural thresholds\, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. \nThe exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life\, featuring works such as It Pays to Pray (1990)\, God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented\, including documentation of Power for the People (1972)\, in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. \nThroughout the exhibition\, architecture\, movement and attention shape how the works are encountered. Finn-Kelcey’s work offers a lens through which to experience 24 Guildhall Road as an active structure—shaped by play\, language and collective imagination. \n\n\n\n\nImage Credit: Rose Finn-Kelcey Bar Doors (Photograph of installation) 1991 \nWood\, Houston International Festival\, Buffalo Bayou Park\, Houston\, Texas. USA \n©The Estate of Rose Finn-Kelcey. Courtesy the Estate and Kate MacGarry
URL:https://www.discovernorthampton.co.uk/event/rose-finn-kelcey-house-rules/2026-05-12/
LOCATION:NN Contemporary\, Vulcan Works\, northampton\, Northamptonshire\, NN1 1EW\, United Kingdom
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://www.discovernorthampton.co.uk/wp-content/uploads/2026/04/NN-Contemporary.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260513T100000
DTEND;TZID=Europe/London:20260513T170000
DTSTAMP:20260408T230917
CREATED:20260408T111952Z
LAST-MODIFIED:20260408T111952Z
UID:135968-1778666400-1778691600@www.discovernorthampton.co.uk
SUMMARY:Rose Finn Kelcey: House Rules
DESCRIPTION:Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey\, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. \nFeaturing photographic\, installation and video works loaned from national collections and archives\, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture\, language\, ritual and atmosphere. \nExhibited publicly for the first time since its original installation\, Bar Doors (1991) captures architectural thresholds\, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. \nThe exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life\, featuring works such as It Pays to Pray (1990)\, God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented\, including documentation of Power for the People (1972)\, in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. \nThroughout the exhibition\, architecture\, movement and attention shape how the works are encountered. Finn-Kelcey’s work offers a lens through which to experience 24 Guildhall Road as an active structure—shaped by play\, language and collective imagination. \n\n\n\n\nImage Credit: Rose Finn-Kelcey Bar Doors (Photograph of installation) 1991 \nWood\, Houston International Festival\, Buffalo Bayou Park\, Houston\, Texas. USA \n©The Estate of Rose Finn-Kelcey. Courtesy the Estate and Kate MacGarry
URL:https://www.discovernorthampton.co.uk/event/rose-finn-kelcey-house-rules/2026-05-13/
LOCATION:NN Contemporary\, Vulcan Works\, northampton\, Northamptonshire\, NN1 1EW\, United Kingdom
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://www.discovernorthampton.co.uk/wp-content/uploads/2026/04/NN-Contemporary.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260514T100000
DTEND;TZID=Europe/London:20260514T170000
DTSTAMP:20260408T230917
CREATED:20260408T111952Z
LAST-MODIFIED:20260408T111952Z
UID:135969-1778752800-1778778000@www.discovernorthampton.co.uk
SUMMARY:Rose Finn Kelcey: House Rules
DESCRIPTION:Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey\, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. \nFeaturing photographic\, installation and video works loaned from national collections and archives\, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture\, language\, ritual and atmosphere. \nExhibited publicly for the first time since its original installation\, Bar Doors (1991) captures architectural thresholds\, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. \nThe exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life\, featuring works such as It Pays to Pray (1990)\, God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented\, including documentation of Power for the People (1972)\, in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. \nThroughout the exhibition\, architecture\, movement and attention shape how the works are encountered. Finn-Kelcey’s work offers a lens through which to experience 24 Guildhall Road as an active structure—shaped by play\, language and collective imagination. \n\n\n\n\nImage Credit: Rose Finn-Kelcey Bar Doors (Photograph of installation) 1991 \nWood\, Houston International Festival\, Buffalo Bayou Park\, Houston\, Texas. USA \n©The Estate of Rose Finn-Kelcey. Courtesy the Estate and Kate MacGarry
URL:https://www.discovernorthampton.co.uk/event/rose-finn-kelcey-house-rules/2026-05-14/
LOCATION:NN Contemporary\, Vulcan Works\, northampton\, Northamptonshire\, NN1 1EW\, United Kingdom
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://www.discovernorthampton.co.uk/wp-content/uploads/2026/04/NN-Contemporary.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260515T100000
DTEND;TZID=Europe/London:20260515T170000
DTSTAMP:20260408T230917
CREATED:20260408T111952Z
LAST-MODIFIED:20260408T111952Z
UID:135970-1778839200-1778864400@www.discovernorthampton.co.uk
SUMMARY:Rose Finn Kelcey: House Rules
DESCRIPTION:Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey\, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. \nFeaturing photographic\, installation and video works loaned from national collections and archives\, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture\, language\, ritual and atmosphere. \nExhibited publicly for the first time since its original installation\, Bar Doors (1991) captures architectural thresholds\, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. \nThe exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life\, featuring works such as It Pays to Pray (1990)\, God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented\, including documentation of Power for the People (1972)\, in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. \nThroughout the exhibition\, architecture\, movement and attention shape how the works are encountered. Finn-Kelcey’s work offers a lens through which to experience 24 Guildhall Road as an active structure—shaped by play\, language and collective imagination. \n\n\n\n\nImage Credit: Rose Finn-Kelcey Bar Doors (Photograph of installation) 1991 \nWood\, Houston International Festival\, Buffalo Bayou Park\, Houston\, Texas. USA \n©The Estate of Rose Finn-Kelcey. Courtesy the Estate and Kate MacGarry
URL:https://www.discovernorthampton.co.uk/event/rose-finn-kelcey-house-rules/2026-05-15/
LOCATION:NN Contemporary\, Vulcan Works\, northampton\, Northamptonshire\, NN1 1EW\, United Kingdom
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://www.discovernorthampton.co.uk/wp-content/uploads/2026/04/NN-Contemporary.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260516T100000
DTEND;TZID=Europe/London:20260516T170000
DTSTAMP:20260408T230917
CREATED:20260408T111952Z
LAST-MODIFIED:20260408T111952Z
UID:135971-1778925600-1778950800@www.discovernorthampton.co.uk
SUMMARY:Rose Finn Kelcey: House Rules
DESCRIPTION:Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey\, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. \nFeaturing photographic\, installation and video works loaned from national collections and archives\, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture\, language\, ritual and atmosphere. \nExhibited publicly for the first time since its original installation\, Bar Doors (1991) captures architectural thresholds\, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. \nThe exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life\, featuring works such as It Pays to Pray (1990)\, God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented\, including documentation of Power for the People (1972)\, in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. \nThroughout the exhibition\, architecture\, movement and attention shape how the works are encountered. Finn-Kelcey’s work offers a lens through which to experience 24 Guildhall Road as an active structure—shaped by play\, language and collective imagination. \n\n\n\n\nImage Credit: Rose Finn-Kelcey Bar Doors (Photograph of installation) 1991 \nWood\, Houston International Festival\, Buffalo Bayou Park\, Houston\, Texas. USA \n©The Estate of Rose Finn-Kelcey. Courtesy the Estate and Kate MacGarry
URL:https://www.discovernorthampton.co.uk/event/rose-finn-kelcey-house-rules/2026-05-16/
LOCATION:NN Contemporary\, Vulcan Works\, northampton\, Northamptonshire\, NN1 1EW\, United Kingdom
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://www.discovernorthampton.co.uk/wp-content/uploads/2026/04/NN-Contemporary.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260519T100000
DTEND;TZID=Europe/London:20260519T170000
DTSTAMP:20260408T230917
CREATED:20260408T111952Z
LAST-MODIFIED:20260408T111952Z
UID:135972-1779184800-1779210000@www.discovernorthampton.co.uk
SUMMARY:Rose Finn Kelcey: House Rules
DESCRIPTION:Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey\, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. \nFeaturing photographic\, installation and video works loaned from national collections and archives\, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture\, language\, ritual and atmosphere. \nExhibited publicly for the first time since its original installation\, Bar Doors (1991) captures architectural thresholds\, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. \nThe exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life\, featuring works such as It Pays to Pray (1990)\, God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented\, including documentation of Power for the People (1972)\, in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. \nThroughout the exhibition\, architecture\, movement and attention shape how the works are encountered. Finn-Kelcey’s work offers a lens through which to experience 24 Guildhall Road as an active structure—shaped by play\, language and collective imagination. \n\n\n\n\nImage Credit: Rose Finn-Kelcey Bar Doors (Photograph of installation) 1991 \nWood\, Houston International Festival\, Buffalo Bayou Park\, Houston\, Texas. USA \n©The Estate of Rose Finn-Kelcey. Courtesy the Estate and Kate MacGarry
URL:https://www.discovernorthampton.co.uk/event/rose-finn-kelcey-house-rules/2026-05-19/
LOCATION:NN Contemporary\, Vulcan Works\, northampton\, Northamptonshire\, NN1 1EW\, United Kingdom
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://www.discovernorthampton.co.uk/wp-content/uploads/2026/04/NN-Contemporary.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260520T100000
DTEND;TZID=Europe/London:20260520T170000
DTSTAMP:20260408T230917
CREATED:20260408T111952Z
LAST-MODIFIED:20260408T111952Z
UID:135973-1779271200-1779296400@www.discovernorthampton.co.uk
SUMMARY:Rose Finn Kelcey: House Rules
DESCRIPTION:Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey\, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. \nFeaturing photographic\, installation and video works loaned from national collections and archives\, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture\, language\, ritual and atmosphere. \nExhibited publicly for the first time since its original installation\, Bar Doors (1991) captures architectural thresholds\, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. \nThe exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life\, featuring works such as It Pays to Pray (1990)\, God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented\, including documentation of Power for the People (1972)\, in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. \nThroughout the exhibition\, architecture\, movement and attention shape how the works are encountered. Finn-Kelcey’s work offers a lens through which to experience 24 Guildhall Road as an active structure—shaped by play\, language and collective imagination. \n\n\n\n\nImage Credit: Rose Finn-Kelcey Bar Doors (Photograph of installation) 1991 \nWood\, Houston International Festival\, Buffalo Bayou Park\, Houston\, Texas. USA \n©The Estate of Rose Finn-Kelcey. Courtesy the Estate and Kate MacGarry
URL:https://www.discovernorthampton.co.uk/event/rose-finn-kelcey-house-rules/2026-05-20/
LOCATION:NN Contemporary\, Vulcan Works\, northampton\, Northamptonshire\, NN1 1EW\, United Kingdom
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://www.discovernorthampton.co.uk/wp-content/uploads/2026/04/NN-Contemporary.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260521T100000
DTEND;TZID=Europe/London:20260521T170000
DTSTAMP:20260408T230917
CREATED:20260408T111952Z
LAST-MODIFIED:20260408T111952Z
UID:135974-1779357600-1779382800@www.discovernorthampton.co.uk
SUMMARY:Rose Finn Kelcey: House Rules
DESCRIPTION:Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey\, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. \nFeaturing photographic\, installation and video works loaned from national collections and archives\, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture\, language\, ritual and atmosphere. \nExhibited publicly for the first time since its original installation\, Bar Doors (1991) captures architectural thresholds\, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. \nThe exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life\, featuring works such as It Pays to Pray (1990)\, God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented\, including documentation of Power for the People (1972)\, in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. \nThroughout the exhibition\, architecture\, movement and attention shape how the works are encountered. Finn-Kelcey’s work offers a lens through which to experience 24 Guildhall Road as an active structure—shaped by play\, language and collective imagination. \n\n\n\n\nImage Credit: Rose Finn-Kelcey Bar Doors (Photograph of installation) 1991 \nWood\, Houston International Festival\, Buffalo Bayou Park\, Houston\, Texas. USA \n©The Estate of Rose Finn-Kelcey. Courtesy the Estate and Kate MacGarry
URL:https://www.discovernorthampton.co.uk/event/rose-finn-kelcey-house-rules/2026-05-21/
LOCATION:NN Contemporary\, Vulcan Works\, northampton\, Northamptonshire\, NN1 1EW\, United Kingdom
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://www.discovernorthampton.co.uk/wp-content/uploads/2026/04/NN-Contemporary.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260522T100000
DTEND;TZID=Europe/London:20260522T170000
DTSTAMP:20260408T230917
CREATED:20260408T111952Z
LAST-MODIFIED:20260408T111952Z
UID:135975-1779444000-1779469200@www.discovernorthampton.co.uk
SUMMARY:Rose Finn Kelcey: House Rules
DESCRIPTION:Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey\, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. \nFeaturing photographic\, installation and video works loaned from national collections and archives\, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture\, language\, ritual and atmosphere. \nExhibited publicly for the first time since its original installation\, Bar Doors (1991) captures architectural thresholds\, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. \nThe exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life\, featuring works such as It Pays to Pray (1990)\, God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented\, including documentation of Power for the People (1972)\, in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. \nThroughout the exhibition\, architecture\, movement and attention shape how the works are encountered. Finn-Kelcey’s work offers a lens through which to experience 24 Guildhall Road as an active structure—shaped by play\, language and collective imagination. \n\n\n\n\nImage Credit: Rose Finn-Kelcey Bar Doors (Photograph of installation) 1991 \nWood\, Houston International Festival\, Buffalo Bayou Park\, Houston\, Texas. USA \n©The Estate of Rose Finn-Kelcey. Courtesy the Estate and Kate MacGarry
URL:https://www.discovernorthampton.co.uk/event/rose-finn-kelcey-house-rules/2026-05-22/
LOCATION:NN Contemporary\, Vulcan Works\, northampton\, Northamptonshire\, NN1 1EW\, United Kingdom
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://www.discovernorthampton.co.uk/wp-content/uploads/2026/04/NN-Contemporary.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260523T100000
DTEND;TZID=Europe/London:20260523T170000
DTSTAMP:20260408T230917
CREATED:20260408T111952Z
LAST-MODIFIED:20260408T111952Z
UID:135976-1779530400-1779555600@www.discovernorthampton.co.uk
SUMMARY:Rose Finn Kelcey: House Rules
DESCRIPTION:Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey\, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. \nFeaturing photographic\, installation and video works loaned from national collections and archives\, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture\, language\, ritual and atmosphere. \nExhibited publicly for the first time since its original installation\, Bar Doors (1991) captures architectural thresholds\, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. \nThe exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life\, featuring works such as It Pays to Pray (1990)\, God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented\, including documentation of Power for the People (1972)\, in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. \nThroughout the exhibition\, architecture\, movement and attention shape how the works are encountered. Finn-Kelcey’s work offers a lens through which to experience 24 Guildhall Road as an active structure—shaped by play\, language and collective imagination. \n\n\n\n\nImage Credit: Rose Finn-Kelcey Bar Doors (Photograph of installation) 1991 \nWood\, Houston International Festival\, Buffalo Bayou Park\, Houston\, Texas. USA \n©The Estate of Rose Finn-Kelcey. Courtesy the Estate and Kate MacGarry
URL:https://www.discovernorthampton.co.uk/event/rose-finn-kelcey-house-rules/2026-05-23/
LOCATION:NN Contemporary\, Vulcan Works\, northampton\, Northamptonshire\, NN1 1EW\, United Kingdom
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://www.discovernorthampton.co.uk/wp-content/uploads/2026/04/NN-Contemporary.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260526T100000
DTEND;TZID=Europe/London:20260526T170000
DTSTAMP:20260408T230917
CREATED:20260408T111952Z
LAST-MODIFIED:20260408T111952Z
UID:135977-1779789600-1779814800@www.discovernorthampton.co.uk
SUMMARY:Rose Finn Kelcey: House Rules
DESCRIPTION:Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey\, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. \nFeaturing photographic\, installation and video works loaned from national collections and archives\, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture\, language\, ritual and atmosphere. \nExhibited publicly for the first time since its original installation\, Bar Doors (1991) captures architectural thresholds\, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. \nThe exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life\, featuring works such as It Pays to Pray (1990)\, God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented\, including documentation of Power for the People (1972)\, in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. \nThroughout the exhibition\, architecture\, movement and attention shape how the works are encountered. Finn-Kelcey’s work offers a lens through which to experience 24 Guildhall Road as an active structure—shaped by play\, language and collective imagination. \n\n\n\n\nImage Credit: Rose Finn-Kelcey Bar Doors (Photograph of installation) 1991 \nWood\, Houston International Festival\, Buffalo Bayou Park\, Houston\, Texas. USA \n©The Estate of Rose Finn-Kelcey. Courtesy the Estate and Kate MacGarry
URL:https://www.discovernorthampton.co.uk/event/rose-finn-kelcey-house-rules/2026-05-26/
LOCATION:NN Contemporary\, Vulcan Works\, northampton\, Northamptonshire\, NN1 1EW\, United Kingdom
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://www.discovernorthampton.co.uk/wp-content/uploads/2026/04/NN-Contemporary.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260527T100000
DTEND;TZID=Europe/London:20260527T170000
DTSTAMP:20260408T230917
CREATED:20260408T111952Z
LAST-MODIFIED:20260408T111952Z
UID:135978-1779876000-1779901200@www.discovernorthampton.co.uk
SUMMARY:Rose Finn Kelcey: House Rules
DESCRIPTION:Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey\, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. \nFeaturing photographic\, installation and video works loaned from national collections and archives\, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture\, language\, ritual and atmosphere. \nExhibited publicly for the first time since its original installation\, Bar Doors (1991) captures architectural thresholds\, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. \nThe exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life\, featuring works such as It Pays to Pray (1990)\, God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented\, including documentation of Power for the People (1972)\, in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. \nThroughout the exhibition\, architecture\, movement and attention shape how the works are encountered. Finn-Kelcey’s work offers a lens through which to experience 24 Guildhall Road as an active structure—shaped by play\, language and collective imagination. \n\n\n\n\nImage Credit: Rose Finn-Kelcey Bar Doors (Photograph of installation) 1991 \nWood\, Houston International Festival\, Buffalo Bayou Park\, Houston\, Texas. USA \n©The Estate of Rose Finn-Kelcey. Courtesy the Estate and Kate MacGarry
URL:https://www.discovernorthampton.co.uk/event/rose-finn-kelcey-house-rules/2026-05-27/
LOCATION:NN Contemporary\, Vulcan Works\, northampton\, Northamptonshire\, NN1 1EW\, United Kingdom
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://www.discovernorthampton.co.uk/wp-content/uploads/2026/04/NN-Contemporary.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260528T100000
DTEND;TZID=Europe/London:20260528T170000
DTSTAMP:20260408T230917
CREATED:20260408T111952Z
LAST-MODIFIED:20260408T111952Z
UID:135979-1779962400-1779987600@www.discovernorthampton.co.uk
SUMMARY:Rose Finn Kelcey: House Rules
DESCRIPTION:Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey\, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. \nFeaturing photographic\, installation and video works loaned from national collections and archives\, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture\, language\, ritual and atmosphere. \nExhibited publicly for the first time since its original installation\, Bar Doors (1991) captures architectural thresholds\, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. \nThe exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life\, featuring works such as It Pays to Pray (1990)\, God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented\, including documentation of Power for the People (1972)\, in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. \nThroughout the exhibition\, architecture\, movement and attention shape how the works are encountered. Finn-Kelcey’s work offers a lens through which to experience 24 Guildhall Road as an active structure—shaped by play\, language and collective imagination. \n\n\n\n\nImage Credit: Rose Finn-Kelcey Bar Doors (Photograph of installation) 1991 \nWood\, Houston International Festival\, Buffalo Bayou Park\, Houston\, Texas. USA \n©The Estate of Rose Finn-Kelcey. Courtesy the Estate and Kate MacGarry
URL:https://www.discovernorthampton.co.uk/event/rose-finn-kelcey-house-rules/2026-05-28/
LOCATION:NN Contemporary\, Vulcan Works\, northampton\, Northamptonshire\, NN1 1EW\, United Kingdom
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://www.discovernorthampton.co.uk/wp-content/uploads/2026/04/NN-Contemporary.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260529T100000
DTEND;TZID=Europe/London:20260529T170000
DTSTAMP:20260408T230917
CREATED:20260408T111952Z
LAST-MODIFIED:20260408T111952Z
UID:135980-1780048800-1780074000@www.discovernorthampton.co.uk
SUMMARY:Rose Finn Kelcey: House Rules
DESCRIPTION:Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey\, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. \nFeaturing photographic\, installation and video works loaned from national collections and archives\, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture\, language\, ritual and atmosphere. \nExhibited publicly for the first time since its original installation\, Bar Doors (1991) captures architectural thresholds\, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. \nThe exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life\, featuring works such as It Pays to Pray (1990)\, God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented\, including documentation of Power for the People (1972)\, in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. \nThroughout the exhibition\, architecture\, movement and attention shape how the works are encountered. Finn-Kelcey’s work offers a lens through which to experience 24 Guildhall Road as an active structure—shaped by play\, language and collective imagination. \n\n\n\n\nImage Credit: Rose Finn-Kelcey Bar Doors (Photograph of installation) 1991 \nWood\, Houston International Festival\, Buffalo Bayou Park\, Houston\, Texas. USA \n©The Estate of Rose Finn-Kelcey. Courtesy the Estate and Kate MacGarry
URL:https://www.discovernorthampton.co.uk/event/rose-finn-kelcey-house-rules/2026-05-29/
LOCATION:NN Contemporary\, Vulcan Works\, northampton\, Northamptonshire\, NN1 1EW\, United Kingdom
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://www.discovernorthampton.co.uk/wp-content/uploads/2026/04/NN-Contemporary.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260530T100000
DTEND;TZID=Europe/London:20260530T170000
DTSTAMP:20260408T230917
CREATED:20260408T111952Z
LAST-MODIFIED:20260408T111952Z
UID:135981-1780135200-1780160400@www.discovernorthampton.co.uk
SUMMARY:Rose Finn Kelcey: House Rules
DESCRIPTION:Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey\, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. \nFeaturing photographic\, installation and video works loaned from national collections and archives\, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture\, language\, ritual and atmosphere. \nExhibited publicly for the first time since its original installation\, Bar Doors (1991) captures architectural thresholds\, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. \nThe exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life\, featuring works such as It Pays to Pray (1990)\, God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented\, including documentation of Power for the People (1972)\, in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. \nThroughout the exhibition\, architecture\, movement and attention shape how the works are encountered. Finn-Kelcey’s work offers a lens through which to experience 24 Guildhall Road as an active structure—shaped by play\, language and collective imagination. \n\n\n\n\nImage Credit: Rose Finn-Kelcey Bar Doors (Photograph of installation) 1991 \nWood\, Houston International Festival\, Buffalo Bayou Park\, Houston\, Texas. USA \n©The Estate of Rose Finn-Kelcey. Courtesy the Estate and Kate MacGarry
URL:https://www.discovernorthampton.co.uk/event/rose-finn-kelcey-house-rules/2026-05-30/
LOCATION:NN Contemporary\, Vulcan Works\, northampton\, Northamptonshire\, NN1 1EW\, United Kingdom
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://www.discovernorthampton.co.uk/wp-content/uploads/2026/04/NN-Contemporary.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260602T100000
DTEND;TZID=Europe/London:20260602T170000
DTSTAMP:20260408T230917
CREATED:20260408T111952Z
LAST-MODIFIED:20260408T111952Z
UID:135982-1780394400-1780419600@www.discovernorthampton.co.uk
SUMMARY:Rose Finn Kelcey: House Rules
DESCRIPTION:Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey\, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. \nFeaturing photographic\, installation and video works loaned from national collections and archives\, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture\, language\, ritual and atmosphere. \nExhibited publicly for the first time since its original installation\, Bar Doors (1991) captures architectural thresholds\, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. \nThe exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life\, featuring works such as It Pays to Pray (1990)\, God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented\, including documentation of Power for the People (1972)\, in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. \nThroughout the exhibition\, architecture\, movement and attention shape how the works are encountered. Finn-Kelcey’s work offers a lens through which to experience 24 Guildhall Road as an active structure—shaped by play\, language and collective imagination. \n\n\n\n\nImage Credit: Rose Finn-Kelcey Bar Doors (Photograph of installation) 1991 \nWood\, Houston International Festival\, Buffalo Bayou Park\, Houston\, Texas. USA \n©The Estate of Rose Finn-Kelcey. Courtesy the Estate and Kate MacGarry
URL:https://www.discovernorthampton.co.uk/event/rose-finn-kelcey-house-rules/2026-06-02/
LOCATION:NN Contemporary\, Vulcan Works\, northampton\, Northamptonshire\, NN1 1EW\, United Kingdom
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://www.discovernorthampton.co.uk/wp-content/uploads/2026/04/NN-Contemporary.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260603T100000
DTEND;TZID=Europe/London:20260603T170000
DTSTAMP:20260408T230917
CREATED:20260408T111952Z
LAST-MODIFIED:20260408T111952Z
UID:135983-1780480800-1780506000@www.discovernorthampton.co.uk
SUMMARY:Rose Finn Kelcey: House Rules
DESCRIPTION:Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey\, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. \nFeaturing photographic\, installation and video works loaned from national collections and archives\, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture\, language\, ritual and atmosphere. \nExhibited publicly for the first time since its original installation\, Bar Doors (1991) captures architectural thresholds\, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. \nThe exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life\, featuring works such as It Pays to Pray (1990)\, God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented\, including documentation of Power for the People (1972)\, in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. \nThroughout the exhibition\, architecture\, movement and attention shape how the works are encountered. Finn-Kelcey’s work offers a lens through which to experience 24 Guildhall Road as an active structure—shaped by play\, language and collective imagination. \n\n\n\n\nImage Credit: Rose Finn-Kelcey Bar Doors (Photograph of installation) 1991 \nWood\, Houston International Festival\, Buffalo Bayou Park\, Houston\, Texas. USA \n©The Estate of Rose Finn-Kelcey. Courtesy the Estate and Kate MacGarry
URL:https://www.discovernorthampton.co.uk/event/rose-finn-kelcey-house-rules/2026-06-03/
LOCATION:NN Contemporary\, Vulcan Works\, northampton\, Northamptonshire\, NN1 1EW\, United Kingdom
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://www.discovernorthampton.co.uk/wp-content/uploads/2026/04/NN-Contemporary.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260604T100000
DTEND;TZID=Europe/London:20260604T170000
DTSTAMP:20260408T230917
CREATED:20260408T111952Z
LAST-MODIFIED:20260408T111952Z
UID:135984-1780567200-1780592400@www.discovernorthampton.co.uk
SUMMARY:Rose Finn Kelcey: House Rules
DESCRIPTION:Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey\, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. \nFeaturing photographic\, installation and video works loaned from national collections and archives\, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture\, language\, ritual and atmosphere. \nExhibited publicly for the first time since its original installation\, Bar Doors (1991) captures architectural thresholds\, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. \nThe exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life\, featuring works such as It Pays to Pray (1990)\, God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented\, including documentation of Power for the People (1972)\, in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. \nThroughout the exhibition\, architecture\, movement and attention shape how the works are encountered. Finn-Kelcey’s work offers a lens through which to experience 24 Guildhall Road as an active structure—shaped by play\, language and collective imagination. \n\n\n\n\nImage Credit: Rose Finn-Kelcey Bar Doors (Photograph of installation) 1991 \nWood\, Houston International Festival\, Buffalo Bayou Park\, Houston\, Texas. USA \n©The Estate of Rose Finn-Kelcey. Courtesy the Estate and Kate MacGarry
URL:https://www.discovernorthampton.co.uk/event/rose-finn-kelcey-house-rules/2026-06-04/
LOCATION:NN Contemporary\, Vulcan Works\, northampton\, Northamptonshire\, NN1 1EW\, United Kingdom
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://www.discovernorthampton.co.uk/wp-content/uploads/2026/04/NN-Contemporary.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260605T100000
DTEND;TZID=Europe/London:20260605T170000
DTSTAMP:20260408T230917
CREATED:20260408T111952Z
LAST-MODIFIED:20260408T111952Z
UID:135985-1780653600-1780678800@www.discovernorthampton.co.uk
SUMMARY:Rose Finn Kelcey: House Rules
DESCRIPTION:Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey\, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. \nFeaturing photographic\, installation and video works loaned from national collections and archives\, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture\, language\, ritual and atmosphere. \nExhibited publicly for the first time since its original installation\, Bar Doors (1991) captures architectural thresholds\, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. \nThe exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life\, featuring works such as It Pays to Pray (1990)\, God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented\, including documentation of Power for the People (1972)\, in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. \nThroughout the exhibition\, architecture\, movement and attention shape how the works are encountered. Finn-Kelcey’s work offers a lens through which to experience 24 Guildhall Road as an active structure—shaped by play\, language and collective imagination. \n\n\n\n\nImage Credit: Rose Finn-Kelcey Bar Doors (Photograph of installation) 1991 \nWood\, Houston International Festival\, Buffalo Bayou Park\, Houston\, Texas. USA \n©The Estate of Rose Finn-Kelcey. Courtesy the Estate and Kate MacGarry
URL:https://www.discovernorthampton.co.uk/event/rose-finn-kelcey-house-rules/2026-06-05/
LOCATION:NN Contemporary\, Vulcan Works\, northampton\, Northamptonshire\, NN1 1EW\, United Kingdom
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://www.discovernorthampton.co.uk/wp-content/uploads/2026/04/NN-Contemporary.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260606T100000
DTEND;TZID=Europe/London:20260606T170000
DTSTAMP:20260408T230917
CREATED:20260408T111952Z
LAST-MODIFIED:20260408T111952Z
UID:135986-1780740000-1780765200@www.discovernorthampton.co.uk
SUMMARY:Rose Finn Kelcey: House Rules
DESCRIPTION:Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey\, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. \nFeaturing photographic\, installation and video works loaned from national collections and archives\, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture\, language\, ritual and atmosphere. \nExhibited publicly for the first time since its original installation\, Bar Doors (1991) captures architectural thresholds\, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. \nThe exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life\, featuring works such as It Pays to Pray (1990)\, God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented\, including documentation of Power for the People (1972)\, in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. \nThroughout the exhibition\, architecture\, movement and attention shape how the works are encountered. Finn-Kelcey’s work offers a lens through which to experience 24 Guildhall Road as an active structure—shaped by play\, language and collective imagination. \n\n\n\n\nImage Credit: Rose Finn-Kelcey Bar Doors (Photograph of installation) 1991 \nWood\, Houston International Festival\, Buffalo Bayou Park\, Houston\, Texas. USA \n©The Estate of Rose Finn-Kelcey. Courtesy the Estate and Kate MacGarry
URL:https://www.discovernorthampton.co.uk/event/rose-finn-kelcey-house-rules/2026-06-06/
LOCATION:NN Contemporary\, Vulcan Works\, northampton\, Northamptonshire\, NN1 1EW\, United Kingdom
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://www.discovernorthampton.co.uk/wp-content/uploads/2026/04/NN-Contemporary.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260609T100000
DTEND;TZID=Europe/London:20260609T170000
DTSTAMP:20260408T230917
CREATED:20260408T111952Z
LAST-MODIFIED:20260408T111952Z
UID:135987-1780999200-1781024400@www.discovernorthampton.co.uk
SUMMARY:Rose Finn Kelcey: House Rules
DESCRIPTION:Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey\, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. \nFeaturing photographic\, installation and video works loaned from national collections and archives\, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture\, language\, ritual and atmosphere. \nExhibited publicly for the first time since its original installation\, Bar Doors (1991) captures architectural thresholds\, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. \nThe exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life\, featuring works such as It Pays to Pray (1990)\, God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented\, including documentation of Power for the People (1972)\, in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. \nThroughout the exhibition\, architecture\, movement and attention shape how the works are encountered. Finn-Kelcey’s work offers a lens through which to experience 24 Guildhall Road as an active structure—shaped by play\, language and collective imagination. \n\n\n\n\nImage Credit: Rose Finn-Kelcey Bar Doors (Photograph of installation) 1991 \nWood\, Houston International Festival\, Buffalo Bayou Park\, Houston\, Texas. USA \n©The Estate of Rose Finn-Kelcey. Courtesy the Estate and Kate MacGarry
URL:https://www.discovernorthampton.co.uk/event/rose-finn-kelcey-house-rules/2026-06-09/
LOCATION:NN Contemporary\, Vulcan Works\, northampton\, Northamptonshire\, NN1 1EW\, United Kingdom
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://www.discovernorthampton.co.uk/wp-content/uploads/2026/04/NN-Contemporary.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260610T100000
DTEND;TZID=Europe/London:20260610T170000
DTSTAMP:20260408T230917
CREATED:20260408T111952Z
LAST-MODIFIED:20260408T111952Z
UID:135988-1781085600-1781110800@www.discovernorthampton.co.uk
SUMMARY:Rose Finn Kelcey: House Rules
DESCRIPTION:Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey\, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. \nFeaturing photographic\, installation and video works loaned from national collections and archives\, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture\, language\, ritual and atmosphere. \nExhibited publicly for the first time since its original installation\, Bar Doors (1991) captures architectural thresholds\, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. \nThe exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life\, featuring works such as It Pays to Pray (1990)\, God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented\, including documentation of Power for the People (1972)\, in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. \nThroughout the exhibition\, architecture\, movement and attention shape how the works are encountered. Finn-Kelcey’s work offers a lens through which to experience 24 Guildhall Road as an active structure—shaped by play\, language and collective imagination. \n\n\n\n\nImage Credit: Rose Finn-Kelcey Bar Doors (Photograph of installation) 1991 \nWood\, Houston International Festival\, Buffalo Bayou Park\, Houston\, Texas. USA \n©The Estate of Rose Finn-Kelcey. Courtesy the Estate and Kate MacGarry
URL:https://www.discovernorthampton.co.uk/event/rose-finn-kelcey-house-rules/2026-06-10/
LOCATION:NN Contemporary\, Vulcan Works\, northampton\, Northamptonshire\, NN1 1EW\, United Kingdom
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://www.discovernorthampton.co.uk/wp-content/uploads/2026/04/NN-Contemporary.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260611T100000
DTEND;TZID=Europe/London:20260611T170000
DTSTAMP:20260408T230917
CREATED:20260408T111952Z
LAST-MODIFIED:20260408T111952Z
UID:135989-1781172000-1781197200@www.discovernorthampton.co.uk
SUMMARY:Rose Finn Kelcey: House Rules
DESCRIPTION:Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey\, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. \nFeaturing photographic\, installation and video works loaned from national collections and archives\, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture\, language\, ritual and atmosphere. \nExhibited publicly for the first time since its original installation\, Bar Doors (1991) captures architectural thresholds\, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. \nThe exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life\, featuring works such as It Pays to Pray (1990)\, God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented\, including documentation of Power for the People (1972)\, in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. \nThroughout the exhibition\, architecture\, movement and attention shape how the works are encountered. Finn-Kelcey’s work offers a lens through which to experience 24 Guildhall Road as an active structure—shaped by play\, language and collective imagination. \n\n\n\n\nImage Credit: Rose Finn-Kelcey Bar Doors (Photograph of installation) 1991 \nWood\, Houston International Festival\, Buffalo Bayou Park\, Houston\, Texas. USA \n©The Estate of Rose Finn-Kelcey. Courtesy the Estate and Kate MacGarry
URL:https://www.discovernorthampton.co.uk/event/rose-finn-kelcey-house-rules/2026-06-11/
LOCATION:NN Contemporary\, Vulcan Works\, northampton\, Northamptonshire\, NN1 1EW\, United Kingdom
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://www.discovernorthampton.co.uk/wp-content/uploads/2026/04/NN-Contemporary.png
END:VEVENT
END:VCALENDAR