If you’re looking for a way to unwind after a busy week or just want to make some new crafting friends, come along with your chosen craft to these friendly informal sessions. They take place every Friday lunchtime in the Northampton Museum & Art Gallery lower café area. Drop in – no booking required but please purchase a drink or something to eat from the cafe.
An exhibition of drawings from the Northampton Museums & Art Gallery collection. This exhibition explores drawing as a fundamental artistic language, presenting preparatory sketches and finished works that reveal how ideas take shape on paper. Through the delicate studies of Henry Moore, the atmospheric sketches of Walter Sickert, the imaginative designs of Sir Edward Burne Jones, and the expressive drawings of Clare Abbatt, amongst others, visitors are invited to consider drawing not merely as a preliminary step but as an art form in its own right. The works on display highlight how artists across different periods and practices use line, tone, and observation to experiment, problem solve, and refine their vision. Together, they celebrate drawing’s enduring role as a tool for exploration, invention, and creative thinking.
Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. Featuring photographic, installation and video works loaned from national collections and archives, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture, language, ritual and atmosphere. Exhibited publicly for the first time since its original installation, Bar Doors (1991) captures architectural thresholds, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. The exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life, featuring works such as It Pays to Pray (1990), God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented, including documentation of Power for the People (1972), in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. Throughout the exhibition, architecture, movement and attention shape...
POWERCHILD – LIVE & LOUD Get ready to turn it up! Powerchild are bringing back a full-throttle night of iconic anthems and pure rock energy. They’ll be smashing out the very best covers from: Alice in Chains Nirvana Rage Against the Machine Foo Fighters Green Day … and many more legendary rock heavyweights! Expect huge riffs, massive choruses, and all the raw 90s/00s alt-rock attitude you love. If you’re ready to sing it loud and feel every power chord — Powerchild have got you covered.
An exhibition of drawings from the Northampton Museums & Art Gallery collection. This exhibition explores drawing as a fundamental artistic language, presenting preparatory sketches and finished works that reveal how ideas take shape on paper. Through the delicate studies of Henry Moore, the atmospheric sketches of Walter Sickert, the imaginative designs of Sir Edward Burne Jones, and the expressive drawings of Clare Abbatt, amongst others, visitors are invited to consider drawing not merely as a preliminary step but as an art form in its own right. The works on display highlight how artists across different periods and practices use line, tone, and observation to experiment, problem solve, and refine their vision. Together, they celebrate drawing’s enduring role as a tool for exploration, invention, and creative thinking.
An exhibition of drawings from the Northampton Museums & Art Gallery collection. This exhibition explores drawing as a fundamental artistic language, presenting preparatory sketches and finished works that reveal how ideas take shape on paper. Through the delicate studies of Henry Moore, the atmospheric sketches of Walter Sickert, the imaginative designs of Sir Edward Burne Jones, and the expressive drawings of Clare Abbatt, amongst others, visitors are invited to consider drawing not merely as a preliminary step but as an art form in its own right. The works on display highlight how artists across different periods and practices use line, tone, and observation to experiment, problem solve, and refine their vision. Together, they celebrate drawing’s enduring role as a tool for exploration, invention, and creative thinking.
Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. Featuring photographic, installation and video works loaned from national collections and archives, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture, language, ritual and atmosphere. Exhibited publicly for the first time since its original installation, Bar Doors (1991) captures architectural thresholds, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. The exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life, featuring works such as It Pays to Pray (1990), God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented, including documentation of Power for the People (1972), in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. Throughout the exhibition, architecture, movement and attention shape...
An exhibition of drawings from the Northampton Museums & Art Gallery collection. This exhibition explores drawing as a fundamental artistic language, presenting preparatory sketches and finished works that reveal how ideas take shape on paper. Through the delicate studies of Henry Moore, the atmospheric sketches of Walter Sickert, the imaginative designs of Sir Edward Burne Jones, and the expressive drawings of Clare Abbatt, amongst others, visitors are invited to consider drawing not merely as a preliminary step but as an art form in its own right. The works on display highlight how artists across different periods and practices use line, tone, and observation to experiment, problem solve, and refine their vision. Together, they celebrate drawing’s enduring role as a tool for exploration, invention, and creative thinking.
Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. Featuring photographic, installation and video works loaned from national collections and archives, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture, language, ritual and atmosphere. Exhibited publicly for the first time since its original installation, Bar Doors (1991) captures architectural thresholds, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. The exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life, featuring works such as It Pays to Pray (1990), God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented, including documentation of Power for the People (1972), in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. Throughout the exhibition, architecture, movement and attention shape...
An exhibition of drawings from the Northampton Museums & Art Gallery collection. This exhibition explores drawing as a fundamental artistic language, presenting preparatory sketches and finished works that reveal how ideas take shape on paper. Through the delicate studies of Henry Moore, the atmospheric sketches of Walter Sickert, the imaginative designs of Sir Edward Burne Jones, and the expressive drawings of Clare Abbatt, amongst others, visitors are invited to consider drawing not merely as a preliminary step but as an art form in its own right. The works on display highlight how artists across different periods and practices use line, tone, and observation to experiment, problem solve, and refine their vision. Together, they celebrate drawing’s enduring role as a tool for exploration, invention, and creative thinking.