Barry Roberts: Glimpses through the Archive
78 Derngate Northampton, Northamptonshire, NN1 1UHPhotography from around the world; including a prize drawer to win a framed print of your choice! Ends May
Photography from around the world; including a prize drawer to win a framed print of your choice! Ends May
We are delighted to host two much-travelled contemporary artists, Piero Serra & Simington who will be displaying their work in the Barwell Room from Tuesday March 10 th to the end of May. With very different styles and techniques, the two friends chose to collaborate on this exhibition entitled ‘Architectural Heads/Flower Heads’. Serra, who trained as an architect, was born in Northampton. He shows us his extraordinary drawings which were partially inspired by architectural forms soon after he moved to Berlin, where he still lives. Serra who trained as an architect, was born in Northampton. Simington’s work shows us constructed composite images, which can be made up of multiple layers, to create worlds which take on a life of their own. Liam was born in Scotland, has lived in both Japan and Egypt and now resides in Northamptonshire. House and Galleries are open Tuesday to Sunday 10am – 4.30pm. A small entrance fee applies for visits to the heritage house but entry to all exhibitions is free.
Step back to the Carboniferous period, 100 million years before the dinosaurs. Northampton Museum & Art Gallery Saturday 21 February - Sunday 7 June 2026 Visit tropical forests and swamps teeming with bizarre and ferocious ancient monsters, some of which had larger teeth than T. rex. Meet the dinosaurs' distant ancestors, the very first reptiles, the largest creepy-crawlies ever to live, and prehistoric animals unlike anything you've ever seen before! A must-see for prehistoric monster fans of all ages!
An exhibition of drawings from the Northampton Museums & Art Gallery collection. This exhibition explores drawing as a fundamental artistic language, presenting preparatory sketches and finished works that reveal how ideas take shape on paper. Through the delicate studies of Henry Moore, the atmospheric sketches of Walter Sickert, the imaginative designs of Sir Edward Burne Jones, and the expressive drawings of Clare Abbatt, amongst others, visitors are invited to consider drawing not merely as a preliminary step but as an art form in its own right. The works on display highlight how artists across different periods and practices use line, tone, and observation to experiment, problem solve, and refine their vision. Together, they celebrate drawing’s enduring role as a tool for exploration, invention, and creative thinking.
This Exhibition explores the similarities between fine art and comics and how they are produced. It will explain the process of how comics are created and examine the common elements from fine art; the drawing, the painting and the poetry. It will also exhibit a story of epic proportions without superheroes, just ordinary people.
Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. Featuring photographic, installation and video works loaned from national collections and archives, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture, language, ritual and atmosphere. Exhibited publicly for the first time since its original installation, Bar Doors (1991) captures architectural thresholds, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. The exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life, featuring works such as It Pays to Pray (1990), God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented, including documentation of Power for the People (1972), in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. Throughout the exhibition, architecture, movement and attention shape...
Get ready for a night packed with absolute bangers as Pumped Up Police hit the Billy with a setlist that never quits. Think: Nirvana Green Day AC/DC Duran Duran The Strokes Supergrass …and of course, The Police A full-throttle mash of rock, punk, indie, and iconic sing-alongs that’ll keep you moving from the first chord to the last. Bring your mates. Bring your voice. This one’s going off.