Sabari Sen: A Journey in Clay and Colour
78 Derngate Northampton, Northamptonshire, NN1 1UHFrom 2nd April to 2nd May in the Mezzanine Space. Entry to all exhibitions is free
From 2nd April to 2nd May in the Mezzanine Space. Entry to all exhibitions is free
An exhibition of drawings from the Northampton Museums & Art Gallery collection. This exhibition explores drawing as a fundamental artistic language, presenting preparatory sketches and finished works that reveal how ideas take shape on paper. Through the delicate studies of Henry Moore, the atmospheric sketches of Walter Sickert, the imaginative designs of Sir Edward Burne Jones, and the expressive drawings of Clare Abbatt, amongst others, visitors are invited to consider drawing not merely as a preliminary step but as an art form in its own right. The works on display highlight how artists across different periods and practices use line, tone, and observation to experiment, problem solve, and refine their vision. Together, they celebrate drawing’s enduring role as a tool for exploration, invention, and creative thinking.
This Exhibition explores the similarities between fine art and comics and how they are produced. It will explain the process of how comics are created and examine the common elements from fine art; the drawing, the painting and the poetry. It will also exhibit a story of epic proportions without superheroes, just ordinary people.
Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. Featuring photographic, installation and video works loaned from national collections and archives, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture, language, ritual and atmosphere. Exhibited publicly for the first time since its original installation, Bar Doors (1991) captures architectural thresholds, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. The exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life, featuring works such as It Pays to Pray (1990), God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented, including documentation of Power for the People (1972), in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. Throughout the exhibition, architecture, movement and attention shape...
This collection of images explores themes of diversity and inclusivity, capturing how college students and staff celebrate their individuality while embracing a shared sense of belonging. Through these photographs, the work highlights the richness of different backgrounds, identities, and experiences within the college community. At its core, the exhibition reflects a simple but powerful idea: while we may appear different on the surface, we have far more that unites us than divides us. Together, these images tell a story of connection, respect, and the strength found in the community.
From 2nd April to 2nd May in the Mezzanine Space. Entry to all exhibitions is free
An exhibition of drawings from the Northampton Museums & Art Gallery collection. This exhibition explores drawing as a fundamental artistic language, presenting preparatory sketches and finished works that reveal how ideas take shape on paper. Through the delicate studies of Henry Moore, the atmospheric sketches of Walter Sickert, the imaginative designs of Sir Edward Burne Jones, and the expressive drawings of Clare Abbatt, amongst others, visitors are invited to consider drawing not merely as a preliminary step but as an art form in its own right. The works on display highlight how artists across different periods and practices use line, tone, and observation to experiment, problem solve, and refine their vision. Together, they celebrate drawing’s enduring role as a tool for exploration, invention, and creative thinking.
This Exhibition explores the similarities between fine art and comics and how they are produced. It will explain the process of how comics are created and examine the common elements from fine art; the drawing, the painting and the poetry. It will also exhibit a story of epic proportions without superheroes, just ordinary people.
Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. Featuring photographic, installation and video works loaned from national collections and archives, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture, language, ritual and atmosphere. Exhibited publicly for the first time since its original installation, Bar Doors (1991) captures architectural thresholds, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. The exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life, featuring works such as It Pays to Pray (1990), God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented, including documentation of Power for the People (1972), in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. Throughout the exhibition, architecture, movement and attention shape...
This collection of images explores themes of diversity and inclusivity, capturing how college students and staff celebrate their individuality while embracing a shared sense of belonging. Through these photographs, the work highlights the richness of different backgrounds, identities, and experiences within the college community. At its core, the exhibition reflects a simple but powerful idea: while we may appear different on the surface, we have far more that unites us than divides us. Together, these images tell a story of connection, respect, and the strength found in the community.