Art and Comics Unwrapped: Exploring the Line Between Comics and Fine Art
Northampton Museum And Art Gallery 4-6 Guildhall Rd,, Northampton
Week of Events
Monday, June 15, 2026
No events on this day.
Tuesday, June 16, 2026
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June 16, 2026 - RecurringSabari Sen: A Journey in Clay and Colour
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June 16, 2026 - RecurringFrom the Collection: Drawings
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June 16, 2026 - RecurringArt and Comics Unwrapped: Exploring the Line Between Comics and Fine Art
-
June 16, 2026 - RecurringRose Finn Kelcey: House Rules
-
June 16, 2026 - RecurringHumans of NC
Sabari Sen: A Journey in Clay and Colour
From 2nd April to 2nd May in the Mezzanine Space. Entry to all exhibitions is free
From the Collection: Drawings
An exhibition of drawings from the Northampton Museums & Art Gallery collection. This exhibition explores drawing as a fundamental artistic language, presenting preparatory sketches and finished works that reveal how ideas take shape on paper. Through the delicate studies of Henry Moore, the atmospheric sketches of Walter Sickert, the imaginative designs of Sir Edward Burne Jones, and the expressive drawings of Clare Abbatt, amongst others, visitors are invited to consider drawing not merely as a preliminary step but as an art form in its own right. The works on display highlight how artists across different periods and practices use line, tone, and observation to experiment, problem solve, and refine their vision. Together, they celebrate drawing’s enduring role as a tool for exploration, invention, and creative thinking.
Art and Comics Unwrapped: Exploring the Line Between Comics and Fine Art
This Exhibition explores the similarities between fine art and comics and how they are produced. It will explain the process of how comics are created and examine the common elements from fine art; the drawing, the painting and the poetry. It will also exhibit a story of epic proportions without superheroes, just ordinary people.
Rose Finn Kelcey: House Rules
Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. Featuring photographic, installation and video works loaned from national collections and archives, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture, language, ritual and atmosphere. Exhibited publicly for the first time since its original installation, Bar Doors (1991) captures architectural thresholds, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. The exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life, featuring works such as It Pays to Pray (1990), God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented, including documentation of Power for the People (1972), in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. Throughout the exhibition, architecture, movement and attention shape...
Humans of NC
This collection of images explores themes of diversity and inclusivity, capturing how college students and staff celebrate their individuality while embracing a shared sense of belonging. Through these photographs, the work highlights the richness of different backgrounds, identities, and experiences within the college community. At its core, the exhibition reflects a simple but powerful idea: while we may appear different on the surface, we have far more that unites us than divides us. Together, these images tell a story of connection, respect, and the strength found in the community.
Wednesday, June 17, 2026
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June 17, 2026 - RecurringSabari Sen: A Journey in Clay and Colour
-
June 17, 2026 - RecurringFrom the Collection: Drawings
-
June 17, 2026 - RecurringArt and Comics Unwrapped: Exploring the Line Between Comics and Fine Art
-
June 17, 2026 - RecurringRose Finn Kelcey: House Rules
-
June 17, 2026 - RecurringHumans of NC
Sabari Sen: A Journey in Clay and Colour
From 2nd April to 2nd May in the Mezzanine Space. Entry to all exhibitions is free
From the Collection: Drawings
An exhibition of drawings from the Northampton Museums & Art Gallery collection. This exhibition explores drawing as a fundamental artistic language, presenting preparatory sketches and finished works that reveal how ideas take shape on paper. Through the delicate studies of Henry Moore, the atmospheric sketches of Walter Sickert, the imaginative designs of Sir Edward Burne Jones, and the expressive drawings of Clare Abbatt, amongst others, visitors are invited to consider drawing not merely as a preliminary step but as an art form in its own right. The works on display highlight how artists across different periods and practices use line, tone, and observation to experiment, problem solve, and refine their vision. Together, they celebrate drawing’s enduring role as a tool for exploration, invention, and creative thinking.
Art and Comics Unwrapped: Exploring the Line Between Comics and Fine Art
This Exhibition explores the similarities between fine art and comics and how they are produced. It will explain the process of how comics are created and examine the common elements from fine art; the drawing, the painting and the poetry. It will also exhibit a story of epic proportions without superheroes, just ordinary people.
Rose Finn Kelcey: House Rules
Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. Featuring photographic, installation and video works loaned from national collections and archives, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture, language, ritual and atmosphere. Exhibited publicly for the first time since its original installation, Bar Doors (1991) captures architectural thresholds, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. The exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life, featuring works such as It Pays to Pray (1990), God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented, including documentation of Power for the People (1972), in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. Throughout the exhibition, architecture, movement and attention shape...
Humans of NC
This collection of images explores themes of diversity and inclusivity, capturing how college students and staff celebrate their individuality while embracing a shared sense of belonging. Through these photographs, the work highlights the richness of different backgrounds, identities, and experiences within the college community. At its core, the exhibition reflects a simple but powerful idea: while we may appear different on the surface, we have far more that unites us than divides us. Together, these images tell a story of connection, respect, and the strength found in the community.
Thursday, June 18, 2026
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June 18, 2026 - RecurringSabari Sen: A Journey in Clay and Colour
-
June 18, 2026 - RecurringFrom the Collection: Drawings
-
June 18, 2026 - RecurringArt and Comics Unwrapped: Exploring the Line Between Comics and Fine Art
-
June 18, 2026 - RecurringRose Finn Kelcey: House Rules
-
June 18, 2026 - RecurringHumans of NC
Sabari Sen: A Journey in Clay and Colour
From 2nd April to 2nd May in the Mezzanine Space. Entry to all exhibitions is free
From the Collection: Drawings
An exhibition of drawings from the Northampton Museums & Art Gallery collection. This exhibition explores drawing as a fundamental artistic language, presenting preparatory sketches and finished works that reveal how ideas take shape on paper. Through the delicate studies of Henry Moore, the atmospheric sketches of Walter Sickert, the imaginative designs of Sir Edward Burne Jones, and the expressive drawings of Clare Abbatt, amongst others, visitors are invited to consider drawing not merely as a preliminary step but as an art form in its own right. The works on display highlight how artists across different periods and practices use line, tone, and observation to experiment, problem solve, and refine their vision. Together, they celebrate drawing’s enduring role as a tool for exploration, invention, and creative thinking.
Art and Comics Unwrapped: Exploring the Line Between Comics and Fine Art
This Exhibition explores the similarities between fine art and comics and how they are produced. It will explain the process of how comics are created and examine the common elements from fine art; the drawing, the painting and the poetry. It will also exhibit a story of epic proportions without superheroes, just ordinary people.
Rose Finn Kelcey: House Rules
Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. Featuring photographic, installation and video works loaned from national collections and archives, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture, language, ritual and atmosphere. Exhibited publicly for the first time since its original installation, Bar Doors (1991) captures architectural thresholds, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. The exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life, featuring works such as It Pays to Pray (1990), God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented, including documentation of Power for the People (1972), in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. Throughout the exhibition, architecture, movement and attention shape...
Humans of NC
This collection of images explores themes of diversity and inclusivity, capturing how college students and staff celebrate their individuality while embracing a shared sense of belonging. Through these photographs, the work highlights the richness of different backgrounds, identities, and experiences within the college community. At its core, the exhibition reflects a simple but powerful idea: while we may appear different on the surface, we have far more that unites us than divides us. Together, these images tell a story of connection, respect, and the strength found in the community.
Friday, June 19, 2026
-
June 19, 2026 - RecurringSabari Sen: A Journey in Clay and Colour
-
June 19, 2026 - RecurringFrom the Collection: Drawings
-
June 19, 2026 - RecurringArt and Comics Unwrapped: Exploring the Line Between Comics and Fine Art
-
June 19, 2026 - RecurringRose Finn Kelcey: House Rules
-
June 19, 2026 - RecurringHumans of NC
Sabari Sen: A Journey in Clay and Colour
From 2nd April to 2nd May in the Mezzanine Space. Entry to all exhibitions is free
From the Collection: Drawings
An exhibition of drawings from the Northampton Museums & Art Gallery collection. This exhibition explores drawing as a fundamental artistic language, presenting preparatory sketches and finished works that reveal how ideas take shape on paper. Through the delicate studies of Henry Moore, the atmospheric sketches of Walter Sickert, the imaginative designs of Sir Edward Burne Jones, and the expressive drawings of Clare Abbatt, amongst others, visitors are invited to consider drawing not merely as a preliminary step but as an art form in its own right. The works on display highlight how artists across different periods and practices use line, tone, and observation to experiment, problem solve, and refine their vision. Together, they celebrate drawing’s enduring role as a tool for exploration, invention, and creative thinking.
Art and Comics Unwrapped: Exploring the Line Between Comics and Fine Art
This Exhibition explores the similarities between fine art and comics and how they are produced. It will explain the process of how comics are created and examine the common elements from fine art; the drawing, the painting and the poetry. It will also exhibit a story of epic proportions without superheroes, just ordinary people.
Rose Finn Kelcey: House Rules
Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. Featuring photographic, installation and video works loaned from national collections and archives, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture, language, ritual and atmosphere. Exhibited publicly for the first time since its original installation, Bar Doors (1991) captures architectural thresholds, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. The exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life, featuring works such as It Pays to Pray (1990), God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented, including documentation of Power for the People (1972), in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. Throughout the exhibition, architecture, movement and attention shape...
Humans of NC
This collection of images explores themes of diversity and inclusivity, capturing how college students and staff celebrate their individuality while embracing a shared sense of belonging. Through these photographs, the work highlights the richness of different backgrounds, identities, and experiences within the college community. At its core, the exhibition reflects a simple but powerful idea: while we may appear different on the surface, we have far more that unites us than divides us. Together, these images tell a story of connection, respect, and the strength found in the community.
Saturday, June 20, 2026
-
June 20, 2026 - RecurringSabari Sen: A Journey in Clay and Colour
-
June 20, 2026 - RecurringFrom the Collection: Drawings
-
June 20, 2026 - RecurringArt and Comics Unwrapped: Exploring the Line Between Comics and Fine Art
-
June 20, 2026 - RecurringRose Finn Kelcey: House Rules
-
June 20, 2026 - RecurringHumans of NC
Sabari Sen: A Journey in Clay and Colour
From 2nd April to 2nd May in the Mezzanine Space. Entry to all exhibitions is free
From the Collection: Drawings
An exhibition of drawings from the Northampton Museums & Art Gallery collection. This exhibition explores drawing as a fundamental artistic language, presenting preparatory sketches and finished works that reveal how ideas take shape on paper. Through the delicate studies of Henry Moore, the atmospheric sketches of Walter Sickert, the imaginative designs of Sir Edward Burne Jones, and the expressive drawings of Clare Abbatt, amongst others, visitors are invited to consider drawing not merely as a preliminary step but as an art form in its own right. The works on display highlight how artists across different periods and practices use line, tone, and observation to experiment, problem solve, and refine their vision. Together, they celebrate drawing’s enduring role as a tool for exploration, invention, and creative thinking.
Art and Comics Unwrapped: Exploring the Line Between Comics and Fine Art
This Exhibition explores the similarities between fine art and comics and how they are produced. It will explain the process of how comics are created and examine the common elements from fine art; the drawing, the painting and the poetry. It will also exhibit a story of epic proportions without superheroes, just ordinary people.
Rose Finn Kelcey: House Rules
Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. Featuring photographic, installation and video works loaned from national collections and archives, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture, language, ritual and atmosphere. Exhibited publicly for the first time since its original installation, Bar Doors (1991) captures architectural thresholds, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. The exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life, featuring works such as It Pays to Pray (1990), God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented, including documentation of Power for the People (1972), in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. Throughout the exhibition, architecture, movement and attention shape...
Humans of NC
This collection of images explores themes of diversity and inclusivity, capturing how college students and staff celebrate their individuality while embracing a shared sense of belonging. Through these photographs, the work highlights the richness of different backgrounds, identities, and experiences within the college community. At its core, the exhibition reflects a simple but powerful idea: while we may appear different on the surface, we have far more that unites us than divides us. Together, these images tell a story of connection, respect, and the strength found in the community.
Sunday, June 21, 2026
-
June 21, 2026 - RecurringSabari Sen: A Journey in Clay and Colour
-
June 21, 2026 - RecurringFrom the Collection: Drawings
-
June 21, 2026 - RecurringArt and Comics Unwrapped: Exploring the Line Between Comics and Fine Art
-
June 21, 2026 - RecurringHumans of NC
Sabari Sen: A Journey in Clay and Colour
From 2nd April to 2nd May in the Mezzanine Space. Entry to all exhibitions is free
From the Collection: Drawings
An exhibition of drawings from the Northampton Museums & Art Gallery collection. This exhibition explores drawing as a fundamental artistic language, presenting preparatory sketches and finished works that reveal how ideas take shape on paper. Through the delicate studies of Henry Moore, the atmospheric sketches of Walter Sickert, the imaginative designs of Sir Edward Burne Jones, and the expressive drawings of Clare Abbatt, amongst others, visitors are invited to consider drawing not merely as a preliminary step but as an art form in its own right. The works on display highlight how artists across different periods and practices use line, tone, and observation to experiment, problem solve, and refine their vision. Together, they celebrate drawing’s enduring role as a tool for exploration, invention, and creative thinking.
Art and Comics Unwrapped: Exploring the Line Between Comics and Fine Art
This Exhibition explores the similarities between fine art and comics and how they are produced. It will explain the process of how comics are created and examine the common elements from fine art; the drawing, the painting and the poetry. It will also exhibit a story of epic proportions without superheroes, just ordinary people.
Humans of NC
This collection of images explores themes of diversity and inclusivity, capturing how college students and staff celebrate their individuality while embracing a shared sense of belonging. Through these photographs, the work highlights the richness of different backgrounds, identities, and experiences within the college community. At its core, the exhibition reflects a simple but powerful idea: while we may appear different on the surface, we have far more that unites us than divides us. Together, these images tell a story of connection, respect, and the strength found in the community.
