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  • From the Collection: Drawings

    Recurring
    Northampton Museum And Art Gallery 4-6 Guildhall Rd,, Northampton, Northamptonshire, United Kingdom

    An exhibition of drawings from the Northampton Museums & Art Gallery collection. This exhibition explores drawing as a fundamental artistic language, presenting preparatory sketches and finished works that reveal how ideas take shape on paper. Through the delicate studies of Henry Moore, the atmospheric sketches of Walter Sickert, the imaginative designs of Sir Edward Burne Jones, and the expressive drawings of Clare Abbatt, amongst others, visitors are invited to consider drawing not merely as a preliminary step but as an art form in its own right. The works on display highlight how artists across different periods and practices use line, tone, and observation to experiment, problem solve, and refine their vision. Together, they celebrate drawing’s enduring role as a tool for exploration, invention, and creative thinking.

  • Mostly Matt – The Bear

    Recurring
    The Bear 11 Sheep Street, Northampton

    Live covers vocalist/guitarist, singer songwriter & bedroom producer. MIxed multi genre covers show

  • Larry Dean & Finlay Christie: Work In Progress

    The Lamplighter 66 Overstone Rd, Northampton, northamptonshire, United Kingdom

    Live stand up comedy at The Lamplighter Northampton. As part of the Northampton Comedy Festival 2026 in association with Northampton BID. Work in progress shows from Larry Dean and Finlay Christie Doors 7pm - Show 8pm Larry Dean: Hellbent Recently married, emotionally feral. The gallus Glaswegian goon returns with a riotous show about refusing to grow up. As seen on SNL, Live at the Apollo, QI and The Royal Variety Performance. ***** (Telegraph). Finlay Christie: Champagne Casanova Finlay misguidedly believes that his muggers fancied him, that being a f*ckboy is cool and that Kim Jong Un would love him. Funny, self-aware and internet-brained, this is an hour about the myths constructed by incels, billionaires and even human people, that mean we don’t have to admit we’re ordinary, rejected or wrong. There’s also a strong section on air fryers. As seen on social media (1M+ followers), Live at the Apollo, Have I Got News For You and 8 Out of 10 Cats Does Countdown. 'The voice of a generation' **** (Chortle.co.uk).

  • From the Collection: Drawings

    Recurring
    Northampton Museum And Art Gallery 4-6 Guildhall Rd,, Northampton, Northamptonshire, United Kingdom

    An exhibition of drawings from the Northampton Museums & Art Gallery collection. This exhibition explores drawing as a fundamental artistic language, presenting preparatory sketches and finished works that reveal how ideas take shape on paper. Through the delicate studies of Henry Moore, the atmospheric sketches of Walter Sickert, the imaginative designs of Sir Edward Burne Jones, and the expressive drawings of Clare Abbatt, amongst others, visitors are invited to consider drawing not merely as a preliminary step but as an art form in its own right. The works on display highlight how artists across different periods and practices use line, tone, and observation to experiment, problem solve, and refine their vision. Together, they celebrate drawing’s enduring role as a tool for exploration, invention, and creative thinking.

  • Rose Finn Kelcey: House Rules

    Recurring
    NN Contemporary Vulcan Works, northampton, Northamptonshire, United Kingdom

    Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. Featuring photographic, installation and video works loaned from national collections and archives, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture, language, ritual and atmosphere. Exhibited publicly for the first time since its original installation, Bar Doors (1991) captures architectural thresholds, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. The exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life, featuring works such as It Pays to Pray (1990), God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented, including documentation of Power for the People (1972), in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. Throughout the exhibition, architecture, movement and attention shape...

  • From the Collection: Drawings

    Recurring
    Northampton Museum And Art Gallery 4-6 Guildhall Rd,, Northampton, Northamptonshire, United Kingdom

    An exhibition of drawings from the Northampton Museums & Art Gallery collection. This exhibition explores drawing as a fundamental artistic language, presenting preparatory sketches and finished works that reveal how ideas take shape on paper. Through the delicate studies of Henry Moore, the atmospheric sketches of Walter Sickert, the imaginative designs of Sir Edward Burne Jones, and the expressive drawings of Clare Abbatt, amongst others, visitors are invited to consider drawing not merely as a preliminary step but as an art form in its own right. The works on display highlight how artists across different periods and practices use line, tone, and observation to experiment, problem solve, and refine their vision. Together, they celebrate drawing’s enduring role as a tool for exploration, invention, and creative thinking.

  • Rose Finn Kelcey: House Rules

    Recurring
    NN Contemporary Vulcan Works, northampton, Northamptonshire, United Kingdom

    Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. Featuring photographic, installation and video works loaned from national collections and archives, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture, language, ritual and atmosphere. Exhibited publicly for the first time since its original installation, Bar Doors (1991) captures architectural thresholds, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. The exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life, featuring works such as It Pays to Pray (1990), God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented, including documentation of Power for the People (1972), in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. Throughout the exhibition, architecture, movement and attention shape...

  • ERIC JOHNSON

    Roadmender 1 Lady's Ln, Northampton, Northamptonshire, United Kingdom

    One of the most outstanding instrumentalists in rock over the past 40 years, Texas guitarist Eric Johnson was already a legend before he recorded his first album. By the early 1980s, many celebrated guitarists were singing the praises of this skinny kid from Austin with the mind-melting chops. Comparisons were made to such guitar heroes as Jeff Beck and Jimi Hendrix and when he joined the ‘70s Austin fusion band Electromagnets they were being hailed as “the Mahavishnu Orchestra of Texas”. With the release of his highly-anticipated 1986 solo debut album Tones, the underground guitar legend finally emerged onto the scene fully-formed. It landed him on the cover of Guitar Player magazine, which hailed the album as a “majestic debut”, and earned him his first Grammy nomination for the song “Zap”. With the release of his follow up album, 1990’s platinum-selling Ah Via Musicom, which contained the Grammy Award winning song “Cliffs of Dover”, Eric Johnson became a bona fide international guitar phenomenon.

    £39.25

  • From the Collection: Drawings

    Recurring
    Northampton Museum And Art Gallery 4-6 Guildhall Rd,, Northampton, Northamptonshire, United Kingdom

    An exhibition of drawings from the Northampton Museums & Art Gallery collection. This exhibition explores drawing as a fundamental artistic language, presenting preparatory sketches and finished works that reveal how ideas take shape on paper. Through the delicate studies of Henry Moore, the atmospheric sketches of Walter Sickert, the imaginative designs of Sir Edward Burne Jones, and the expressive drawings of Clare Abbatt, amongst others, visitors are invited to consider drawing not merely as a preliminary step but as an art form in its own right. The works on display highlight how artists across different periods and practices use line, tone, and observation to experiment, problem solve, and refine their vision. Together, they celebrate drawing’s enduring role as a tool for exploration, invention, and creative thinking.

  • Rose Finn Kelcey: House Rules

    Recurring
    NN Contemporary Vulcan Works, northampton, Northamptonshire, United Kingdom

    Arts Collective launches its new gallery programme with an exhibition revisiting the pioneering work of British conceptual artist Rose Finn-Kelcey, curated by Emer Grant. This marks the first presentation of the artist’s work in her hometown of Northampton. Featuring photographic, installation and video works loaned from national collections and archives, the exhibition recontextualises Finn-Kelcey’s groundbreaking practice through architectural space and coded forms. It considers how formal systems and power structures shape experience through architecture, language, ritual and atmosphere. Exhibited publicly for the first time since its original installation, Bar Doors (1991) captures architectural thresholds, foregrounding moments of passage between spaces. The photographic documentation of Finn-Kelcey’s site-specific installation—seven saloon-style doors installed in a Houston city park—invites viewers to reconsider familiar architectural features as markers of access and permission. The exhibition also explores Finn-Kelcey’s fascination with spirituality and its connections to the commercial and domestic structures of contemporary life, featuring works such as It Pays to Pray (1990), God Kennel – A Tabernacle (1992) and Jolly God (1997). Her iconic flag works are also presented, including documentation of Power for the People (1972), in which a collective political declaration was placed directly onto the monumental architecture of Battersea Power Station while it remained operational. Throughout the exhibition, architecture, movement and attention shape...